photo of off-white plaster cast relief sculpture of man on horseback from Parthenon against black background
$ 1,280.00

Parthenon Frieze, Western VIII - Item #9

Patina Options

Each piece is custom finished. Depending on a sculpture’s texture and level of detail, the look of a patina can vary. A slight variation in color from order to order is to be expected.

Unless otherwise noted, our reproductions are hand cast in plaster and reinforced with burlap, fiber strands, and/or metal rods for extra strength.

 

FLAT WHITE: A unified, matte white finish. This is the optimum patina for cast drawing as it allows focus on form.

photo of cast of sculpture relief of robed figure, head now missing, reaching for her sandal in Flat White Patina on a dark gray background       

WHITE PATINA: A white finish with a light ivory tone added to the top surfaces.

       

LIGHT ANTIQUE PLASTER: A soft mixture of whites, grays, and yellows to replicate the look of an aged plaster cast.

     

ANTIQUE PLASTER: A dramatic mixture of grays and yellows to replicate the look of an aged plaster cast.

     

BRONZE: A rich brown finish with golden highlights to replicate the look of bronze.

     

STONE: A mixture of lighter tones to resemble natural stone.

 

DARK STONE: A mixture of darker tones to resemble natural stone.

 

SANDSTONE: A soft base color with warm highlights to resemble the look of natural sandstone.

 

TERRA COTTA: A variation of warm tones to resemble terra cotta.

 

ASSYRIAN STONE (Applies only to item numbers 3, 4, 5, 6 and 738): A two-tone patina augmenting the shallow relief sculpture and its stone texture.

TANAGRA PATINA (Applies only to item numbers 317, 318, 319, 320, 396 and 813): A finish that replicates the colors of the Tanagra figurines as shown in the product images.

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42 Inches High x 55 Inches Wide x 3 Inches Deep

The Parthenon, a temple dedicated to the goddess Athena, is an astounding example of Classical Greek architecture and art. It was built by the architects Ictinus and Callicrates while the supervisor, and also the artistic director, for the project was the sculptor Phidias. Situated on the Acropolis in Athens, the Parthenon, at its prime, was a temple of white marble with countless colorful sculptures. Today, it is partially in ruins. The frieze that surrounded the cella, or the interior structure, still exists, but is divided among many museums around the world. The Acropolis Museum and the British Museum hold the majority of the 115 blocks, which formed the 160 meter- (or 525 foot-) long frieze. The narrative is about the procession that took place on the final day of the festival that honored Athena, the Great Panathenaia.

In this panel, a rider tries to steady his horse by placing his foot against a rock. The man's face in the original sculpture was lost due to exposure to the elements sometime between 1802 and 1872, when the earlier date produced a mold showing the face and the later date produced a mold without it. Fortunately, the earlier mold means the face has been preserved for study in casts. The Caproni cast features the preserved face as well. 

 

Artist: Unknown

Museum: Acropolis Museum, Athens

Origin: The Parthenon - Western Frieze, Athens

Time Period: Ancient Greek, 447-432 B.C.E.

1911 Catalog ID # - 7000 Slab VIII

 

Sources:

Choremi, A. “The Parthenon Frieze. Block W VIII.” The Parthenon Frieze. English translation by M. Caskey. Ministry of Culture – Acropolis Restoration Service – First Ephorate of Prehistoric and Classical Antiquities – Department of Information and Education, and National Documentation Centre – National Hellenic Research Foundation, 2009, http://repository.parthenonfrieze.gr/frieze/handle/10442/wviii

“The Frieze.” Acropolis Museumhttp://www.theacropolismuseum.gr/en/content/frieze-0.

Hadziaslani, C. and I. Kaimara. “About Parthenon.” The Parthenon Frieze. English translation by M. Caskey. Ministry of Culture – Acropolis Restoration Service – First Ephorate of Prehistoric and Classical Antiquities – Department of Information and Education, and National Documentation Centre – National Hellenic Research Foundation, 2009, http://repository.parthenonfrieze.gr/frieze/aboutParthenon.jsp.

Jenkins, Ian Dennis. The Parthenon Sculptures. Harvard University Press, 2007, pp. 32. GoogleBooks, https://books.google.com/books?id=t02qLAT21AIC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false

“Parthenon.” Wikipediahttps://en.wikipedia.org/wiki/Parthenon#Architecture.

Pieces are plaster unless otherwise noted. They are made to order and hand cast. We offer our pieces in a variety of patinas/finishes. Click next tab for more details.

Small and large reliefs (except tabletop pieces as noted) and masks come with one or more embedded hooks for hanging as necessary.

Questions? View the FAQ page for more information and for answers to frequently asked questions. Email us at contact@capronicollection.com or call us at 781-933-2455.

Each piece is custom finished. Depending on a sculpture’s texture and level of detail, the look of a patina can vary. A slight variation in color from order to order is to be expected.

Unless otherwise noted, our reproductions are hand cast in plaster and reinforced with burlap, fiber strands, and/or metal rods for extra strength.

 

FLAT WHITE: A unified, matte white finish. This is the optimum patina for cast drawing as it allows focus on form.

photo of cast of sculpture relief of robed figure, head now missing, reaching for her sandal in Flat White Patina on a dark gray background       

WHITE PATINA: A white finish with a light ivory tone added to the top surfaces.

       

LIGHT ANTIQUE PLASTER: A soft mixture of whites, grays, and yellows to replicate the look of an aged plaster cast.

     

ANTIQUE PLASTER: A dramatic mixture of grays and yellows to replicate the look of an aged plaster cast.

     

BRONZE: A rich brown finish with golden highlights to replicate the look of bronze.

     

STONE: A mixture of lighter tones to resemble natural stone.

 

DARK STONE: A mixture of darker tones to resemble natural stone.

 

SANDSTONE: A soft base color with warm highlights to resemble the look of natural sandstone.

 

TERRA COTTA: A variation of warm tones to resemble terra cotta.

 

ASSYRIAN STONE (Applies only to item numbers 3, 4, 5, 6 and 738): A two-tone patina augmenting the shallow relief sculpture and its stone texture.

TANAGRA PATINA (Applies only to item numbers 317, 318, 319, 320, 396 and 813): A finish that replicates the colors of the Tanagra figurines as shown in the product images.

Most pieces ship within a few days to 3 weeks as they are made to order and hand cast.

Customers in the contiguous United States receive free ground shipping automatically at checkout. Customers located elsewhere can find shipping options in the checkout process.

Pieces must be opened and inspected within 48 hours of delivery to report any damage.

Returns are not accepted; all sales are final as pieces are made to order and hand cast.

View the FAQ page for more information and for answers to frequently asked questions.

Additional Information

Pieces are plaster unless otherwise noted. They are made to order and hand cast. We offer our pieces in a variety of patinas/finishes. Click next tab for more details.

Small and large reliefs (except tabletop pieces as noted) and masks come with one or more embedded hooks for hanging as necessary.

Questions? View the FAQ page for more information and for answers to frequently asked questions. Email us at contact@capronicollection.com or call us at 781-933-2455.

View Patina Options

Each piece is custom finished. Depending on a sculpture’s texture and level of detail, the look of a patina can vary. A slight variation in color from order to order is to be expected.

Unless otherwise noted, our reproductions are hand cast in plaster and reinforced with burlap, fiber strands, and/or metal rods for extra strength.

 

FLAT WHITE: A unified, matte white finish. This is the optimum patina for cast drawing as it allows focus on form.

photo of cast of sculpture relief of robed figure, head now missing, reaching for her sandal in Flat White Patina on a dark gray background       

WHITE PATINA: A white finish with a light ivory tone added to the top surfaces.

       

LIGHT ANTIQUE PLASTER: A soft mixture of whites, grays, and yellows to replicate the look of an aged plaster cast.

     

ANTIQUE PLASTER: A dramatic mixture of grays and yellows to replicate the look of an aged plaster cast.

     

BRONZE: A rich brown finish with golden highlights to replicate the look of bronze.

     

STONE: A mixture of lighter tones to resemble natural stone.

 

DARK STONE: A mixture of darker tones to resemble natural stone.

 

SANDSTONE: A soft base color with warm highlights to resemble the look of natural sandstone.

 

TERRA COTTA: A variation of warm tones to resemble terra cotta.

 

ASSYRIAN STONE (Applies only to item numbers 3, 4, 5, 6 and 738): A two-tone patina augmenting the shallow relief sculpture and its stone texture.

TANAGRA PATINA (Applies only to item numbers 317, 318, 319, 320, 396 and 813): A finish that replicates the colors of the Tanagra figurines as shown in the product images.

Shipping & Returns

Most pieces ship within a few days to 3 weeks as they are made to order and hand cast.

Customers in the contiguous United States receive free ground shipping automatically at checkout. Customers located elsewhere can find shipping options in the checkout process.

Pieces must be opened and inspected within 48 hours of delivery to report any damage.

Returns are not accepted; all sales are final as pieces are made to order and hand cast.

View the FAQ page for more information and for answers to frequently asked questions.