Photo with black background of plaster cast sculpture of flayed man kneeling with hands on head
$ 260.00

Anatomy of Man 2 - Item #605

Patina Options

Each piece is custom finished. Depending on a sculpture’s texture and level of detail, the look of a patina can vary. A slight variation in color from order-to-order is to be expected.

Unless otherwise noted, our reproductions are hand-cast in plaster and reinforced with burlap, fiber strands, and/or metal rods for extra strength.

 

FLAT WHITE: A unified, matte white finish. This is the optimum patina for cast drawing as it allows focus on form.

      

WHITE PATINA: A white finish with a light ivory tone added to the top surfaces.

       

LIGHT ANTIQUE PLASTER: A soft mixture of whites, grays, and yellows to replicate the look of an aged plaster cast.

     

ANTIQUE PLASTER: A dramatic mixture of grays and yellows to replicate the look of an aged plaster cast.

     

BRONZE: A rich brown finish with golden highlights to replicate the look of bronze.

     

STONE: A mixture of lighter tones to resemble natural stone.

 

DARK STONE: A mixture of darker tones to resemble natural stone.

 

SANDSTONE: A soft base color with warm highlights to resemble the look of natural sandstone.

 

TERRA COTTA: A variation of warm tones to resemble terra cotta.

 

ASSYRIAN STONE (Applies only to item numbers 3, 4, 5, 6 and 738): A two-tone patina augmenting the shallow relief sculpture and its stone texture.

TANAGRA PATINA (Applies only to item numbers 317, 318, 319, 320, 800 and 813): A finish that replicates the colors of the Tanagra figurines as shown in the product images.

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10 Inches High x 5.5 Inches Wide x 5.5 Inches Deep

The wax original of this écorché was thought to have been sculpted by Michelangelo, though today it is attributed to the French sculptor Pierre Puget (1620-1694). If so, it is possible he could have created it with reference to an earlier work made by Michelangelo, one of his students, or someone working in his style. It has been a popular art study piece for centuries; it was drawn and painted by Vincent van Gogh in the 1880s.

 

Artist: Attributed to Pierre Puget

Museum: Bode Museum, Berlin

Time Period: Baroque

1911 Catalog ID # - 21007

 

Sources:

Köster, Berthold and Erik Tjebbes. "Van Gogh's plaster models examined and restored." Van Gogh Museum Journal, 1997-1998, pp. 68-75. Digital Library of Dutch Artshttps://www.dbnl.org/tekst/_van012199701_01/_van012199701_01_0007.php

Shell, Oliver. "Seeing Figures: Exhibition and Vision in Matisse's Sculpture." Matisse: Painter as Sculptor, edited by Dorothy Kosinski, Jay McKean Fisher, and Steven Nash, Yale University Press, 2007, pp. 49-72. GoogleBookshttps://books.google.com/books?id=Ude3CN2LRpMC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false.

Tomkins-Lewis, Mary. "Courbet, Cézanne and the Studio as Stage." Société Paul Cezanne, 30 Oct. 2013, http://www.societe-cezanne.fr/2013/10/30/courbet-cezanne-and-the-studio-as-stage-par-mary-tomkins-lewis/

"Vincent van Gogh: Kneeling Ecorché." Van Gogh Museum, https://vangoghmuseum.nl/en/collection/d0035V1962.

"Vincent van Gogh: Kneeling Ecorché." Van Gogh Museum, https://vangoghmuseum.nl/en/collection/s0102V1962.

Most pieces ship within 1-3 weeks as they are made-to-order and hand-cast.

Pieces are plaster of Paris unless otherwise noted.

We offer our pieces in a variety of patinas/finishes. Click next tab for more details.

Reliefs, wall plaques, and masks come with at least one embedded hook for hanging unless otherwise noted.

Questions? Email us at contact@capronicollection.com or call us at 781-933-2455.

Each piece is custom finished. Depending on a sculpture’s texture and level of detail, the look of a patina can vary. A slight variation in color from order-to-order is to be expected.

Unless otherwise noted, our reproductions are hand-cast in plaster and reinforced with burlap, fiber strands, and/or metal rods for extra strength.

 

FLAT WHITE: A unified, matte white finish. This is the optimum patina for cast drawing as it allows focus on form.

      

WHITE PATINA: A white finish with a light ivory tone added to the top surfaces.

       

LIGHT ANTIQUE PLASTER: A soft mixture of whites, grays, and yellows to replicate the look of an aged plaster cast.

     

ANTIQUE PLASTER: A dramatic mixture of grays and yellows to replicate the look of an aged plaster cast.

     

BRONZE: A rich brown finish with golden highlights to replicate the look of bronze.

     

STONE: A mixture of lighter tones to resemble natural stone.

 

DARK STONE: A mixture of darker tones to resemble natural stone.

 

SANDSTONE: A soft base color with warm highlights to resemble the look of natural sandstone.

 

TERRA COTTA: A variation of warm tones to resemble terra cotta.

 

ASSYRIAN STONE (Applies only to item numbers 3, 4, 5, 6 and 738): A two-tone patina augmenting the shallow relief sculpture and its stone texture.

TANAGRA PATINA (Applies only to item numbers 317, 318, 319, 320, 800 and 813): A finish that replicates the colors of the Tanagra figurines as shown in the product images.

Additional Information

Most pieces ship within 1-3 weeks as they are made-to-order and hand-cast.

Pieces are plaster of Paris unless otherwise noted.

We offer our pieces in a variety of patinas/finishes. Click next tab for more details.

Reliefs, wall plaques, and masks come with at least one embedded hook for hanging unless otherwise noted.

Questions? Email us at contact@capronicollection.com or call us at 781-933-2455.

View Patina Options

Each piece is custom finished. Depending on a sculpture’s texture and level of detail, the look of a patina can vary. A slight variation in color from order-to-order is to be expected.

Unless otherwise noted, our reproductions are hand-cast in plaster and reinforced with burlap, fiber strands, and/or metal rods for extra strength.

 

FLAT WHITE: A unified, matte white finish. This is the optimum patina for cast drawing as it allows focus on form.

      

WHITE PATINA: A white finish with a light ivory tone added to the top surfaces.

       

LIGHT ANTIQUE PLASTER: A soft mixture of whites, grays, and yellows to replicate the look of an aged plaster cast.

     

ANTIQUE PLASTER: A dramatic mixture of grays and yellows to replicate the look of an aged plaster cast.

     

BRONZE: A rich brown finish with golden highlights to replicate the look of bronze.

     

STONE: A mixture of lighter tones to resemble natural stone.

 

DARK STONE: A mixture of darker tones to resemble natural stone.

 

SANDSTONE: A soft base color with warm highlights to resemble the look of natural sandstone.

 

TERRA COTTA: A variation of warm tones to resemble terra cotta.

 

ASSYRIAN STONE (Applies only to item numbers 3, 4, 5, 6 and 738): A two-tone patina augmenting the shallow relief sculpture and its stone texture.

TANAGRA PATINA (Applies only to item numbers 317, 318, 319, 320, 800 and 813): A finish that replicates the colors of the Tanagra figurines as shown in the product images.